E4_ARTES_2021-2S

For me, this was my first term online, which has been complex because my degree is based mainly on practical subject, such as technologies, but I was looking for a way to put together all the theory in the field and we hope to put it into practice soon This subject consists mainly of the use of theater implements such as lighting bulbs, consoles to handle these lights, mountable stages, etc. So that semester we saw characteristics of the different bulbs that we can find in theaters so that when we have to design the lights we know which one corresponds to generate the effect we are looking for, but it is still difficult for us to understand without seeing them in person as it should be. I am quite interested in this subject since for me the light in the theater is a very relevant factor that generates atmospheres and completes the design and if we can understand the equipment to generate this light we can reach a better result in our design proposals.  

 I find it hard to think how theater design could affect the world and contribute to it, but I have always thought that culture, in general, is a fundamental part of our development as humans since it gives us an enjoyment that allows us to get away even for a moment from our lives and generates a new view of the world. What I think the most is that when I was little I expected so much the activities of  "Santiago a Mil"  in January since it was time to see large-scale shows for free. since during the rest of the year I did not have access to something like that and I saw how these were distributed in various areas of Santiago including the most popular neighborhoods that have access to culture in general and it was incredible to see how all those people participated sometimes without understanding it but they were still there with the whole family enjoying themselves.  I think that delivering culture regardless of social class is very important for the development o...

  Hello everyone, today I come to talk about Anna Viebrock, who is a great costume designer and set designer within the theater and the opera. For me her work is of great reference and that I admire a lot. Viebrock was born on August 3, 1951, in the city of Colonia, Germany. She is the daughter of an Austrian-Hungarian mother and a German father, her first studies were in art and philosophy in her hometown, then between 71 and 77 she studied Scenography at the Düsseldorf Art Academy with Karl Kne, had their daughter in 1976. Mainly her work goes hand in hand with the director Christoph Marthaler since the 90s, working in numerous theaters and operas such as the Basel Theater, the Volksbühne in Berlin, the Schauspielhaus in Hamburg, the Opera of Frankfurt the Paris Opera, the Teatro Real Madrid, the Salzburg and Bayreuth Festiva l, the Vienna Festival, the Festival d'Avignon, and the Schauspielhaus Zürich. Which led her to be awarded 17 times with the "Set Designer of the Year...